DOGGOD

Long regarded as one of the most elusive works in Thai cinema, DOGGOD emerges from almost 30 years of censorship as a gleefully anarchic act of cinematic heresy. Shot on 16mm with the help of friends and family on a shoestring budget, Ing K.'s cult underground piece blends black comedy, religious satire, and outsider independent filmmaking to question blind faith and blind following.

When Victor Strong, a cult investigator, arrives in Bangkok to rescue a young woman from a New Age sect, he finds himself drawn into an increasingly bizarre world where devotees worship a stray dog as a divine being and charismatic gurus spin ever-more-elaborate spiritual ruses. Beginning with the tone of an absurd farce, the film gradually reveals itself as a razor-sharp critique of religious authority and collective delusion as our protagonist sinks deeper into this universe.

Banned by Thai authorities in 1998 for allegedly insulting religion, DOGGOD, originally titled MY TEACHER EATS BISCUITS, became a legendary "lost" film, circulating only through rare international screenings. Newly restored and re-edited by the director, the film returns not as a historical curiosity but as a strikingly contemporary provocation. By turns outrageous, camp, and challenging, Ing K.'s singular vision stands as a landmark of Southeast Asian independent cinema and a defiant testament to the enduring power of artistic dissent. (SARA LOPO)